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24 Hours in a New York City Kitchen

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Executive chef, opening sous chef, closing sous chef, pastry chef, poissonnier, rotisseur, fish entremetier, meat entremetier. Like a great Russian novel, Michael Gibney’s new book, SOUS CHEFopens with a diagram of its long list of main characters and how they’re all related. And after a decade of working in kitchens including 10 Downing, Tavern on the Green, Hudson Hotel, and Governor in DUMBO, the food world has definitely become a surrogate family for Gibney. In his new, and first, book, the sous-chef-turned-writer acts as a guide, leading us with his carefully skewered words through 24 hours in the high-heat landscape of the food service industry. Sous Chef is a second person account of what it’s really like behind the scenes in some of New York’s best restaurants. Between cigarette breaks and gulps of Pedialyte (the chef's hangover cure), Gibney juggles the arrival of unexpected food critics, three-hundred person a night covers, and a barrage of insults at the smallest mistakes, from classics like "idiot" to the more poetic "shoemaker" should you overcook your meat. Oh, and if you can't show up to work, the chef might have hired someone to replace you that very night.

For the past few years, Gibney has turned his attention from cooking to writing, graduating with an MFA in nonfiction and the pages of what would eventually become Sous Chef. The book’s delicious descriptions verge on poetic, and will definitely make your mouth water. Here’s an example: “The gambas come off when their spotted heads go coral red and a caramel-colored sear veils the opalescent white of the flesh.” Sous Chef hit shelves on March 25 and the book launch party, where Gibney was in conversation with journalist Charles Shafaieh, was yesterday at powerHouse Arena. I sat down with Mike, in the midst of a whirlwind week of book publicity, at the Bowery Hotel and chatted with him about cooking, writing, and writing about cooking.
 


Austen Rosenfeld: Why did you choose to write this book in the second person?
Michael Gibney: In addition to the obvious advantage of its intimate sort of immediacy, I chose to write the book in second person because I didn't want it to be a story about me. The kitchen is the real star here, and I wanted to invite the reader in, to help him or her understand what it's like to dwell inside.  

You received a BFA in painting from Pratt Institute. Has that influenced your cooking?
Hugely. I mean, I started cooking as a teenager when I already planned on going to college for painting. I wanted to be a set designer on Broadway, but cooking was a cool way of making money. I got out of college with a major in painting and minor in lithography and there weren’t jobs leaping out of the newspaper at me. Then I realized cooking could be more than a way to make money, there was a creative component to it.  

So what does a sous chef actually do?
The really short answer is that you're number two. It literally translates [as] “under chef.” What amount of responsibility you have in that position will vary depending on the structure of the place. It will range anywhere from literally running the entire kitchen, order[ing] the food, coming up with dishes for the menu, to just being the enforcer for whatever it is the chef envisions for the restaurant.


This Shirt is Bananas.

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Yeah, we went there. Gwen Stefani references aside, sometimes the lines between wardrobe staple, obsession, and Hoarders episode get a little blurred. OC London’s Eloise is sittin’ on a mean 12 pairs of Superga sneakers, while OCNY’s Will and Alex probably have enough 90s-era Starter jerseys between them to outfit an entire football team (right down to the water boy, maybe even a couple team moms). For me, no outfit is complete without a crazy printed short-sleeve button-down or two. So you can imagine my reaction to the crop of comic books, citrus, and checkered prints featured in the new Gitman Brothers x Opening Ceremony Spring 2014 shirts and shorts: full-on meltdown. 

Now in its fifth year, our long-standing collaboration with the classic American brand has seen innovative, fresh takes on the shirting experts' storied archives, executing a range of striking designs across their perfectly tailored tops. Spring selections see trippy and traditional check patterns, schools of shrimp, and a host of dots and diamonds. Grab yours today!

Shop all Gitman Brothers x Opening Ceremony HERE


BANANA SHORT-SLEEVE BUTTON-DOWN in Banana
 
Trippy Check Long-Sleeve Button-Down in Black/White

Shrimps Short-Sleeve Button-Down Green/Pink

Shrimps Long-Sleeve Button-Down in Pink/Blue/Khaki

Polka-Dot Long-Sleeve Button-Down in Sprite

Neon Tartan Short-Sleeve Button-Down in Light Green/Blue

Neon Tartan Long-Sleeve Button-Down in Blue/ Light Green

Good Catch Short-Sleeve Button-Down in Red

Good Catch Short-Sleeve Button-Down in Black

Mapei, Video Vixen With An Activist's Attitude

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Although Mapei (aka Jacqueline Mapei Cummings) self-identifies as a female rapper, you won't see her sporting a pink wig or tearing up the stage in a latex body suit. Between her almost monotone speaking voice and her unaffected appearance––complete with a mane of natural, curly hair––Mapei has a calm and hypnotizing presence that's less Nicki Minaj than LAURYN HILL (who, unsurprisingly, happens to be one of Mapei's chief influences). Similarly sage-like, Mapei drops little beads of wisdom throughout our interview. She tells stories of her childhood performing at Communist rallies in Providence, Rhode Island, her days throwing warehouse parties in Sweden, and her fateful connection with SPANK ROCK, who discovered Mapei's already burgeoning talent back in the early 2000s after the release of her underground viral video, "VIDEO VIXENS."

After taking some time off to travel following the release of her first official EP, Cocoa Butter Diaries, Mapei came back with “Don’t Wait,” the infectious internet hit whose video PREMIERED this week via Pitchfork. The song's eclectic sound comes courtesy of pop-producer Magnus Lidehäll (whose previous accolades include songs with Britney Spears and Sky Ferreira) and remixes feature the likes of Chance the Rapper and her old friend KINGDOM. I had the opportunity to talk with Mapei before the release of her highly anticipated album to discuss everything from her unreleased songs with JUSTICE, to her vision of utopia, to Miley Cyrus as the new Madonna.  




Clarke Rudick: What have you been up to since Cocoa Butter Diaries?
Mapei: I’ve been taking my time to get some inspiration. I traveled to Senegal to do workshops. I went to Portugal, Tunisia, and Brazil. I stayed in the favelas there. It wasn’t rough. It was homier than I thought it was going to be. 

Why did you choose this moment to reenter the music scene?
Because I have good songs that I can really put out there. I think everyone is focused on being really cool rather than making good songs. They want to have an image rather than doing the music. It’s really all about the music. I don’t even think about my image. 

Let's talk about your breakout piece, "Video Vixens."
Have you seen the video? I made it myself. 

Of course! I remember seeing it on the web a few years ago. It’s almost a video diary of your life, right?
Yeah, I chilled a lot with white girls that would dance dancehall and I would defend them because everyone was saying, “They’re trying to be black,” and I’d be like, “Let them do their thing. Let them dance.” I made a lot

Straight Trippin': Sarah Law in Puerto Rico

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In STRAIGHT TRIPPIN', OC friends and family share tidbits from their latest travels. This time around, KARA designer Sarah Law shares her snaps from a recent trip to Vieques, Puerto Rico with the CFDA Fashion Incubator!

Name: Sarah Law
Occupation: Creative Director/Founder of KARA
Travel destination: Vieques, Puerto Rico
Carry-on necessities: Sunglasses and ukulele
Reading materials: Galápagos by Kurt Vonnegut
Most over-played tracks on your iPod this trip: "Let's Go Trippin'," "Misirlou," and a few other 1960s Dick Dale singles.
Favorite outfit to travel in: L.L.Bean thermal shirt—great for the NYC cold and an easy layer for a breeze in warmer climates.
Highlight of your trip: Late night bonding by the fire pit!
Souvenirs you brought back: Coqui Fire Hot Sauce
Can you tell us a bit about the CFDA Incubator? How did you get involved? The CFDA selects ten emerging brands to participate every two years and we are the third incubator group. We are paired with NYU MBAs and CFDA members who work with us to grow our brands. I have been super lucky to have Steven Alan as a mentor. Roopal Patel and Tomoko Ogura recommended me to the program.
What's something you've learned so far from being part of this group? I am excited about the direction of American design and it's promising to see so many female entrepreneurs (eight of the ten companies in the Incubator are founded by women!).
What was this trip for? W Hotels will support us over the next two years with trips and events. The weekend was a kick-off meeting to learn about W Hotels and spend time with other members from the Incubator, CFDA, and BMF Media.
Any other CFDA Incubator trips you're looking forward to? There are a few in the US and internationally, and I am looking forward to all of them!

Shop all KARA HERE!


En route to JFK with the OC-Exclusive Double Layer Mesh Small Backpack
From San Juan to Vieques
Girls on the plane!
Vacation reads
Horses lounging in the sun around the hotel

Plastic Tokyo's Cabinet of Curiosities

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Japanese brand Plastic Tokyo’s inspirations are as obscure and far-reaching as you might guess by looking at its kaleidoscopic prints. Like Renaissance-era Cabinets of Curiosities––one of designer Keisuke Imazaki's inspirations––the Spring/Summer 2014 collection brings together a wild array of objects in collage form, from lips, to cheetahs, to skyscrapers, to human brains, to roses, and everything in between. Unsurprisingly, Keisuke was also thinking about the Internet and social media platforms like Tumblr, modern day cabinets of curiosities that link “obscure cities and people to the larger web community,” said the designer.

Plastic Tokyo is known for blending elements of streetwear with vibrant graphics that reflect the styles of different Japanese subcultures. Its name was formed in part from the lyrics of 70s New Wave band Plastics, and this season, inspiration came from VAPORWAVE, a contemporary subgenre of electronic music. But while the prints are constantly evolving, the fabrics and silhouettes they appear on are always simple. "We specifically choose material that emphasizes and brings color to our graphic designs," said Keisuke. "Also, we use fabric that is water-absorbent, quickly dries, and does not wrinkle.” After making the prints on computers, the brand then uses sublimation transfer printing (a process that uses heat to transfer a digital image onto fabric) to produce their products.

Prints are more than just a branding detail for Keisuke. "Fashion is something that has to reflect the modern world we live in," he said. "In order to illustrate this message, we think graphic prints are the most effective technique."

Shop all Plastic Tokyo HERE


Photos courtesy of Plastic Tokyo

Vapor Man Sweater in black 

Graphic Parka in red

Bonding Mesh Parka in white, Bonding Mesh Shorts in white 

Graphic Sweater in East

Graphic Sweatpants in blue 

Most Wanted: Proenza Schouler Shoes

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"Most Wanted" presents our favorite and most coveted items available at OC.

Proenza Schouler's Spring/Summer 2014 collection was inspired in part by mid-century furniture designers. Which explains why we want to settle into the woven leather design and Wegner-esque tapered heel of these High-Heel Gladiator Platforms.
 
Shop all Proenza Schouler here
 

Sound Check: La Femme

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In SOUND CHECK, we check in with some of our favorite musicians.

Parisian sextet LA FEMME washed over the Music Hall of Williamsburg last Friday with a zany set of surf rock that bordered on the cinematic. Founded in Biarritz, France by Sacha Got and Marlon Magnée, the band eventually settled in the capital city and grew to include members Clémence Quélennec, Nunez Von Ritter, Sam Lefevre, and Noé Delmas. Known for their shape-shifting hairdos, bombastic music videos, and eclectic fashion choices, these French chameleons’ sense of humor and rambunctiousness only enhance their beachy cool. Like a quirky squad of Blade Runner replicants, La Femme executes tunes with surgical precision and evokes waves of goofy garage rock mixed with James Bond (Connery, not Craig) stealth and charm.

La Femme is on their first North American tour since the release of their first studio album Psycho Tropical Berlin. Before the show, we chatted sci-fi movies, wearing sombreros on stage, and why clichés can be cool.


Will Nixon: Your music videos are wacky as hell. What films and filmmakers influenced them?
Nunez Von Ritter: A lot of porn movies. Gay porn.
Sam Lefevre: Movies with sex and violence. [Laughs] 
Sacha Got: No, but really: classic Hollywood, Harry Potter… We love good 60s, 70s, 80s movies, Westerns, Tarantino, Kubrick… What's the one with [hums “Flight of the Valkyries”]… Apocalypse Now! A movie is good with a love story, some violence, and some adventure, you know? Music is the same.

Who has directed your videos?
Sam Lefevre: President François Hollande! [Laughs]
Sacha Got: We direct everything ourselves. At the beginning we were making shorts with a cheap camera––filming little scenes of life. Now, we try other stuff with staged scenarios––like real movies, you know?
Clémence Quélennec: But a bunch of people help us with things like costumes and decoration.

Would you ever want to make movie soundtracks?
Sacha Got: Why not? We have tried. We have given our CD to [friends] in Hollywood. That would be cool because we love a good soundtrack. [Our stuff] is enhanced with image, with pictures. It’s kind of a soundtrack already, you know? We are big on introduction, on buildup, on atmosphere. It’s visual music.

A lot of critics compare your sound to science fiction.
Sacha Got: Why not? Music is hard to describe with words sometimes.

Any sci-fi influences you can think of?
Sacha Got: Star Wars. Definitely Blade Runner.
Sam Lefevre: And 2001: A Space Odyssey––the scene with the monolith and all the monkeys pointing and jumping and going “ooh ooh ooh!” And Dune.

Can you tell me about the cover art for Psycho Tropical Berlin?
Sacha Got: There’s a girl with white eyes. It’s a Belgian artist who did it, Elzo Durt. He makes visuals for Born Bad Records––a French rock label. At the beginning we wanted to make it ourselve

Raymond Pettibon's Surfers

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It's hard not to see RAYMOND PETTIBON as a quintessentially Californian artist. His career began in the 1970s designing album covers and flyers for his brother's band, Black Flag, and he gained recognition in the art world along with other West Coast artists like MIKE KELLEY through exhibitions like MOCA's seminal Helter Skelter in 1992.

Last night's opening of Are Your Motives Pure? Raymond Pettibon Surfers at Venus Over Manhattan in New York certainly positioned the artist as an ambassador of the laid-back beach vibes that characterize communities like Malibu and Venice. Pettibon grew up in Hermosa Beach, and for almost the entirety of his career has been painting surfers in his signature comic-inspired style. This exhibition is the first to cull the surfer paintings––48 in total––out of Pettibon's vast portfolio and display them in a single show. As gallery owner Adam Lindemann told me last night, the show as "a museum exhibition in a gallery." 

Despite the fact that he owes much of his success to his identity as a California-native, Pettibon prefers not to be classified as a “LA artist.” Rather, he describes himself as “an artist who happens to work in Los Angeles,” he told ELEPHANT in 2010. And indeed, the surfing paintings do much more than simply represent a regional lifestyle. It's clear from the poetic text that accompanies many of them that the ocean, for Pettibon, is a universal metaphor. "For Plotonius the universe was a beach; he liked to feel himself consumed in the very heart of the sun," Pettibon declares in one painting depicting two blond surfers. Yet for all his philosophical musings, Pettibon also acknowledges his own inability to truly capture the spirit of surfing. "Some things (seafoam, for instance) cannot be drawn at all, but only surfed," he writes on one painting of a wave breaking.

Through May 17, 2014

Venus Over Manhattan
980 Madison Avenue
New York, NY 10075
MAP
Photos by James Parker


Marilyn Minter

Pack it Up, Pack it In: Eastpak x Nicomede Talavera

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Having hit the peak of my hype in the third grade with an aloha tie-dye print L.L.Bean joint (initials embroidered and the reflective front pocket band, obvi), my backpack game took something of a dive in my grown-up years. For those, like me, hoping to make the switch back to two-strap accessories, London-based menswear designer Nicomede Talavera’s third collaboration with renowned luggage giant Eastpak is the answer to your prayers.

Having previously worked with Raf Simons and Christopher Shannon, Eastpak tapped Nicomede, the then Central Saint Martins undergrad, in 2012. While the pair's previous collaborations have blended minimalist shapes with genius details including iridescent key chains and hidden magnetic pouches, its Spring/Summer 2014 efforts draw influence from the hard-edge color field paintings of Ellsworth Kelly. This season's structured but smooth leather backpacks and totes feature bold bands and blocks of color with clean silver hardware zippers, minimalist contrasts that exude the luxury the partnership has gained esteem for.

Shop all Eastpak x Nicomede Talavera HERE

UNTITLED 0110 LEATHER BACKPACK in white/green (styled with Raf Simons vertical colorblock Short-Sleeve Shirt in black/electric blue)

UNTITLED 0110 LEATHER BACKPACK in white/green

Untitled 0100 Leather Backpack in black/white

Untitled 0077 Tote in black/red

Seeing Palestine Through Artists' Eyes

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“In her absence I created her image,” writes Palestinian poet Mahmoud Darwish. And that’s exactly what these artists did in How Green Was My Valley, an exhibition that brings together a generation haunted and inspired by a broken Palestinian landscape. Last night, I headed down to the opening at WhiteBox Art Center on the Lower East Side to check out the show, curated by Mary Evangelista, the director of ArtPalestine International.

The show, which was funded by a Kickstarter campaign, presents the work of fifteen artists including Haitham Ennasr, Mary Tuma, and OC’s own Joseph Audeh from Jordan, Hebron, Gaza, Israel, California, and Brooklyn using a variety of media including photography, sculpture, video and installation art.

Displacement, fragmentary existence, a sense of homelessness, and love transformed into a codified exchange were themes of the show. On one wall hung a lush photograph of an orange tree pierced by a metal bolt. In the back of the gallery a spinning, translucent cylinder hung from the ceiling that you could walk inside, emulating the anxiety-inducing experience of a military checkpoint.

Much of the artwork highlighted the quiet, in-between moments of Palestinian life––a photograph of a white van filled with rainbow birthday balloons barreling down a coastal highway––and the persistent sense of waiting that plagues many Palestinians with no answers in sight. Still, a current of possibility and excitement ran through the show. The event had a huge turnout, reinforcing Palestinians' sense of community and identity even amid the tumultuous political reality.

Wafa Hourani's Qalandiya 2067, 2014, mixed media installation


Mohammed Musallam Cultural Siege, 2012

Joseph Audeh's Machine for Raising Water, 3D-printed plaster

Samira Badran in front of her installation Have a Pleasant Stay

Rana Bishara's Kuffiyah for Prisoners, 2009, installation



Elias Wakeem and Lamiah Askar

OC's Ignacio and Shannan 

OC's Joseph, Ignacio, Gia, and Cherie

OC's Simon, Galen, Joyce, and Dana

Mary Evangelista and Joseph Audeh

10 Terrifically Trippy Spring Prints

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By the time I reached the second grade, my mother had abandoned all hope that I’d ever grasp the logic, never mind the appeal, of coordinating an outfit that didn’t involve a Lisa Frankian pairing of floral and animal prints. Since day one, I’ve had a hole in my heart (not so much my in closet) that could only be filled by bright, bold, ballistic patterns as if I were a long lost member of the Diplomats. Fortunately for fellow pattern addicts, Spring/Summer 2014 at OC means never having to choose between camo or cartoons; whether it's Marcelo Burlon's menagerie of kaleidoscopic digital prints or Monitaly's fresh florals, we've got something for everyone. Give the basics a break and check out ten of the craziest prints of the season. 


I have so many Hawaiian shirts in my closet I’ve had to start categorizing them by sunset or surf scenes, pineapples or palm trees, but this Opening Ceremony Elvis Print Oversized Pocket Jacket is in a league of its own. In partnership with Elvis Presley Enterprises, we've created a full wardrobe covered in the OG hound dog’s hit lyrics, archival photographs, and this totally tubular Hawaiian print inspired by his starring role in the 1961 film Blue Hawaii.
Whether it's a melting tartan polo or the iced-out crystal print parka I sported in my Show & Tell video, KEENKEEE's trippy treatment of digital prints is always on point. This season, designer Hyoungkee Kim was inspired by thorns, menacingly manifested as insidious hedgehogs and vines sprawling across shorts and T-shirts, like this prickly pattern Vine Tee.

Just because Here Comes Honey Boo Boo’s Mama June beat me to having a nationally televised wedding in a tree camo print wedding gown doesn’t mean that I should give up on that dream. Based on Steve J & Yoni P’s perfect mix of punk and feminine in their spring collection (full of unicorns, florals, and bright camouflage printed on mesh and frayed denim) they’re the pair I want designing my dream frock. But for now, saying “I do” to this POP CAMOFLAUGE BUSTIER FLARED DRESS dress is enough for me.

Monitaly designer Yuki Matsuda derives inspiration from classic vintage pieces to create his Americana-with-a-twist aesthetic, taking construction cues from military gear to ensure his garments are timeless and long-lasting. This season, floral fabrics add contrast to classic pieces—a perfect partnership best executed in this 80'S FLORAL PAT PULLOVER, which gives 

Aliens in Fur: Fashion in Under the Skin

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In one of the first scenes of Jonathan Glazer’s latest film, Under the Skin, Scarlett Johansson, an alien seductress with lost eyes and red lips, hits the mall to assemble her new earthly identity. She chooses a fake fur coat, hot pink sweater, acid wash jeans, and black boots, which she hobbles around in throughout the movie like a middle-school girl in her mother’s heels. 

“We wanted one outfit for her and we wanted her to feel like she had it wrong. That the nuances of how she was dressed were not quite right,” Glazer told me in a Q&A after a screening of the movie last weekend in NYC. He was sporting an army green jacket, a T-shirt, and light blue jeans, not unlike the ones Johansson herself wears in the film. “We were kind of thinking of it in terms of somebody like an immigrant almost. Somebody who’s coming from a certain part of the world to live in a new part of the world and not quite hooking into those nuances.” 

The film, which came out Friday, tells the story of a extraterrestrial who seduces and kills men by immersing their bodies in a shiny black ooze. Like in most movies featuring a femme fatale, fashion plays a central role. But in Under the Skin, Johansson's cheap black wig and mangy fur coat also tie into larger themes of disguise. Like the body that wears them, these garments are skins that conceal an inhuman force lurking beneath.

When Johansson picks up a 26-year-old disfigured man––a person who feels equally uncomfortable in his own skin––she begins her attempted assimilation into this strange planet, forcing herself to eat a slice of chocolate cake, which she coughs up immediately. It’s hard to be human, and my twelve-year-old self, who once wore a purple suede jacket with fringe to a pool party in Los Angeles, would certainly agree. Watching Scarlett Johansson in her hot pink sweater, so out of context amid the stone greys and forest greens of the Scottish countryside, brought back memories of first learning how to dress. “The pink jumper was important,” Glazer said. “We wanted it to feel, again, so incongruous to the landscape.” 

In the opening scene of the movie, we see Johansson's silhouette against a blinding white screen, dressing herself in the clothes of a woman who is either dead or unconscious. She finds a single ant on the woman’s lifeless body, lifts it onto her finger, and stares it down with intrigue. “Like an insect on the wrong continent.” Glazer said, “that was the way we thought of how she was dressed.” 

Scarlett Johansson in Under the Skin. Photo courtesy of A24 Films
 

Sound Check: Bok Bok

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In SOUND CHECK, we check in with some of our favorite musicians.

It seems like ages ago, but September 28, 2013 was one of those perfect Saturdays. Washington, DC had finally lifted the swampy weight of summer humidity off its back, leaving a capital that could breathe again. I sipped a wild cherry Slurpee before venturing into U Street Music Hall for a set that fate had orchestrated by way of a cancelled Basecamp Music Festival in neighboring Maryland: two hours of collaborative, back-to-back track work between the heads of electronic music's most progressive labels and sister collectives, FADE TO MIND's KINGDOM and NIGHT SLUGS' Bok Bok. While Kingdom played with production from KELEla's forthcoming mix tape in points, Bok Bok treated the melodies to true UK soundsystem culture, his infusion of drum-laden grime beats making for the best kind of British Invasion.

Nearly six months later, I finally had the opportunity to catch up with the South London producer about his collaborative efforts, reversion to raw club sounds, and self-professed "karate teacher from the Czech Republic" personal style.  

 

Emily Manning: How and why did you and
 L-VIS 1990 decide to form Night Slugs?
Bok Bok: When you’re a bit younger and just starting something, you never really set out with a mission statement, but what we all had in common back in the day was a really similar set of references. Pretty much all of our producers came together through just being interested in the same sort of music—lots of different people from around different places. I think when James [Connolly, aka L-Vis 1990] and I first started the club night, it was when there was a lot of stuff going on in the clubs and we didn’t really feel like we fit at all, but we did feel like there were all of these other club genres going on in the world which were just perfect models for how we think you should feel in the club—not only in the sounds, but the vibe that you should be getting from it. We just felt there was something lacking. So we were idealistic; we wanted to start a new night that was like no boundaries and you could kind of do whatever you wanted. We still had a really similar, small set of genres that we were referencing, so in a way, it was already quite specific without us knowing, but of course we thought we were being these real hippies by blowing it all open and just being like, “no rules, man!” 

Can you tell me a little more about Club Constructions?
Like a lot of the stuff with the label, it was really organic. But, basically, James had just done an album and after it came out, he was just feeling like he wanted to make a return to club-orientated, really raw stuff. Which is kind of what happens to artists when they go out of their way to make an album that’s a bit more song-based or something

Etudes Explores the Modern City

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French artists Aurélien Arbet and Jérémie Egry return to OC with their fourth Études collection, a symbiotic evolution of art and fashion that this season explores how global communication shapes modern cities. "This notion embodies a melting-pot where tradition meets modernity, ethnicity meets technology, and craftsmanship meets digitalism, thus creating a universal language,” bills the brand's Spring/Summer 2014 press release. The references to globalized culture are most obvious on T-shirts bearing graphics of multiple languages and Internet-influenced images, as well as the static-y ombre pattern by artist collaborator Manuel Fernandez. Meanwhile, the collection's use of hybrid materials––cotton alongside PVC alongside polyester––gestures towards the modern city's marriage of the natural and the synthetic. 

Shop all Études HERE

POWDER T-SHIRT in Surf. Photos courtesy of Études

FRONTIERE COAT in Satellite 


Etoile Crewneck Sweatshirt in Europe

Fugace Shirt in Snow

Ombre Shirt in Manuel Fernandez


Powder T-Shirt in World Talk

Etoile Trousers in Password Dyed

25% Off OC's Spring Favorites!

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It's springtime! The birds are singing, the sun is shining, and Mother Nature is shaking off the snow—finally. To follow suit, we've rounded up some of our favorite OC classics and OC exclusives, and are offering 25% off these select items to help, well, plant the seeds for your new spring look. How about some OC & Timberland boots to splash through those April showers, or maybe a bright glitter sweater to blend in with those upcoming May flowers? (Yes, we rhymed.) Use code SPRINGFAVORITES at checkout until Thursday, April 10th. 

Shop Spring Favorites for men and for women.

Promotion is valid on select merchandise only. Promotion ends Thursday, April 10th, 2014 at 11:59pm PST, and is valid online only at openingceremony.us and cannot be applied to previous purchases or combined with other discount offers.

Claire Ptak's Easter Treats: Salty Almond Maple Macaroons

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Scrap the chocolate Easter eggs and hot cross buns because London baking babe Claire Ptak (owner of our favorite East London bakery, Violet) has written us three exclusive Easter-inspired recipes. The best part? They're gluttonous without the gluten.

It's hard not to love a macaroon. But what about a macaroon made with raw almond butter and sweetened with maple syrup? These cookies are wonderfully crunchy on the outside and chewy on the inside, with the maple flavor giving them a healthy balance. Coconut flour is available in many supermarkets and health food shops, but if you can’t find it you can use desiccated coconut. Tapioca flour is from the root of the cassava plant, and you can sometimes find it in African shops labeled as fufu flour.

100 grams coconut flour
50 grams tapioca flour (or fufu flour)
1 teaspoon xanthan gum
½ teaspoon fine sea salt
225 grams almond butter
280 grams maple syrup
1 teaspoon vanilla extract
Maldon salt to sprinkle

1. Heat the oven to 180°C or 350°F. Line a baking tray with paper. 

2. Weigh out the dry ingredients in a bowl and whisk together.

3. In another bowl, combine the almond butter, maple syrup, and vanilla and whisk until smooth. Mix in the dry ingredients and let it rest for 10 minutes.

4. Scoop small balls of the dough onto your baking sheet and space them about 2 inches apart. Sprinkle with a pinch of Maldon salt and bake for 10 to 12 minutes. Allow to cool slightly and serve.

Follow Claire's 
INSTAGRAM to make your mouth water! | Find more of OC's food-filled adventures HERE!  
Claire's salty almond maple macaroons are perfect with a cup of coffee! Photos by Jodie Herbage

Claire Ptak

The magic mixture

The balls are ready to be baked!

Adding a dash of sea salt!

Et voilà! Crunchy on the outside, soft on the inside.

OC's Belgian Designers Take on Minnie Mouse

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What does Minnie Mouse have to do with fashion? A muse for many designers, the cartoon character has inspired collections and catwalks from Paris to New York. Transcending all trends, her iconic silhouette and familiar bows and polka dots will never go out of style. This spring, your I Love BELGIUM team partnered with Disney to ask five young graduates from Belgian fashion schools––LA CAMBRE in Brussels and the ROYAL ACADEMY in Antwerp––to create their own contemporary visions of the fashion icon.

OC-ers DORIANE VAN OVEREEMMINJU KIMKRJST, and EMMANUELLE LEBAS, as well as Belgian designer DAMIEN RAVN, created designs that they unveiled last week at MOMU, the renowned fashion museum in Antwerp. The project was a result of months of hard work and collaboration between the designers, your I Love Belgium team, Isabelle from the Walt Disney Company (and beauty and food blog NAILS & CUPCAKES), and curator, fashion consultant, and professor at La Cambre Didier Vervaeren. Didier created a visually impressive installation on which the mannequin dolls were mounted: five giant letters M-I-N-N-I-E featuring the trademark polka dots. 

It’s fantastic to see a project come together and that’s why we want to end with one of Walt Disney’s famous quotes: “If you can dream it, you can do it." That’s exactly what we did with Maison Minnie Mouse.

Through April 20, 2014

MoMu
Nationalestraat 28,
2000 Antwerp
Belgium
MAP




MINJU KIM's Minnie

DORIANE VAN OVEREEM's Minnie

EMMANUELLE LEBAS' Minnie

KRJST

Damien Ravn
Minju Kim 

Channel Sailor Moon In pushBUTTON

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The only thing more saccharine sweet than the popsicle prints and ruffled edges on Korean brand pushBUTTON’s Spring/Summer 2014 offerings might be teen heroine Sailor Moon, the muse of the collection. Called “Moon Crystal Power” after the anime character’s healing call, the collection mixes structured blood-orange silk separates with sheer dresses and delicate lace details––enough to make anyone feel like a cosmic feminine superhero.

Designer Seunggun Park was also thinking of a career woman when he designed the collection. "It’s about a woman’s adventurous life and a sensibility of change," he said by email this week. "This woman has to go to work in clothing that is desirable, very defined but with downtown edge. Like Sailor Moon who is a cute little girl and a sexual lady at once.” With a playful yet sophisticated edge, this collection could easily take you from the workplace to your place of play. 

Shop all pushBUTTON HERE


Popsicle Cardigan in white, Ruffled Skirt in white. Lookbook images courtesy of pushBUTTONTransparent Popsicle Dress in white

Ruffled Popsicle Pencil Skirt in white
Silk Jumpsuit in red 



Open Back Detailed Jacket in red

Ruffled Top in white

Lace Detailed Silk Skirt in red

Packing for Indio? Get 15% Off at OCLA!

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Amidst the promises of free ice cream, free yoga classes, and great music, one of the best parts of Coachella is checking out how some people still look great in the hot desert sun. Head over to OCLA to style out your festival 'fits before you pack up for Indio and get 15 percent off your purchase when you say "UV Daze!" at the register. A couple days in the desert can have you seeing things, but we promise this isn't a mirage!

OC LOS ANGELES
451 North La Cienega Boulevard 
Open Mon–Sat 11–7pm, Sun 12–7pm
MAP

Promotion is only valid at Opening Ceremony Los Angeles. Promotion ends Sunday, April 18, 2014 at 11:59pm PST and cannot be applied to previous purchases or combined with other discount offers.

Meet The Man Dressing Everyone From Jennifer Lawrence To Wonder Woman

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You know you've had an interesting career when you've designed outfits for everyone from 90s club kids to Spartan warriors to Superman. Michael Wilkinson, the Australian costume designer, got his start designing costumes for the Sydney Opera as a teenager and has since worked on movies of myriad genres and scales, from fantastical Hollywood epics like 300 to micro-budget indie classics like Party Monster. He nabbed his first and long overdue Oscar nomination earlier this year with American Hustle and is already ramping up for further innovations in cinematic style. We caught up with Michael in the wake of the release of his latest film, Darren Aronofsky’s Noah.


William Nixon: At OC we are always curious about influences that designers draw upon. Who are some visual artists that have fueled your creativity?

Michael Wilkinson: I always spread the net quite wide for my design inspirations. For Noah, Darren and I were aiming for a modern-primitive aesthetic. We looked to [the work of] Rick Owens, Martin Margiela, Edward Burtynsky, [who is] a Canadian industrial landscape photographer, [and] sculptor Anselm Kiefer… Inspiration always comes from many places.

I first met you on the set of Noah where I was a production assistant.
Which Noah character would have the most fun during New York Fashion Week?
[Laughs] Definitely Ila, Emma Watson’s character. For her in particular we played around with asymmetrical custom knitwear with laddering and dropped stitches as well as raw-seamed leggings, a sculptural felted wool coat, wrapped knee-boots, and an ombre knit infinity scarf. I think Fashion Week would be quite fun for her indeed.

At what point did you know you wanted to design costumes? Did anything trigger the interest in particular?
As a teenager I worked as a costumer at the Sydney Opera House––dressing actors and maintaining costumes. I came in such close contact with so many beautiful costumes that I couldn’t help but catch the “bug” right then and there.

Some of the films for which you’re most recognized are darker, adult takes on comic book folklore. If you were to give a twisted spin to a classic fairy tale or children’s story of your choosing, which would it be?
Well, I feel like they’ve all been done that way now, haven’t they? I might have said Maleficent but that’s happened now as well! I would certainly love to explore folklore from Australia and the stories that I grew up with. There is a classic Australian book––The Magic Pudding––about a curmudgeonly, foul-talking pudding that grows the more it is eaten and his gang of bizarre acquaintances. It would make an awesome, twisted fantastical film!

What kind of research did you conduct to prepare for Party Monster?
[Laughs] I can promise you nothing illegal! For one there was no shortage of photographs whatsoever––the characters from the club scene of the late 80s and early 90s really, really loved documenting their lives. The filmmakers were friends with so many of the real original Club Kids: Richie Rich, Amanda Lepore, Kabuki… Kabuki has gone on to become an amazing makeup artist… I got to meet them and spend time with them and hear stories and explore their world.

What is your craziest memory of shooting Party Monster?
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