Last Friday night, visitors at the Andrea Rosen Gallery cracked open the Rolling Rock in celebration of the opening of Cultural Production. The new exhibition features pieces from four conceptual artists, each appropriating different readily available materials, such as popular literature (Allen Ruppersburg’s installation), instructional flowcharts (Alexandre Singh), calendars (Hanne Darboven), or shopping window displays (Josephine Meckseper’s work). The outcome of their collective play with the everyday is a critique of the cultural processes by which fine or high art is generated, categorized, and deemed worthy of display.
Cultural Production runs through March 24, 2012.
Andrea Rosen Gallery
525 W. 24th St
New York, NY 10011
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Close-up on part of Assembly Instructions (Concerning the Apparent Asymmetry of Time: Painting) (2010) by Singh
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Work by Ruppersberg
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Contemplating Ruppersberg's Good Dreams, Bad Dreams, What was Sub-Literature? (1996)
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Meckseper's Either/Or (2012)
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A glimpse of Hanne Darboven's Webstuhl postrum (1997)
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The Bird of the Air (2012) by Meckseper
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The Lily of the Field (2012) by Meckseper
Cultural Production runs through March 24, 2012.
Andrea Rosen Gallery
525 W. 24th St
New York, NY 10011
Map
Close-up on part of Assembly Instructions (Concerning the Apparent Asymmetry of Time: Painting) (2010) by Singh
Work by Ruppersberg
Contemplating Ruppersberg's Good Dreams, Bad Dreams, What was Sub-Literature? (1996)
Meckseper's Either/Or (2012)
A glimpse of Hanne Darboven's Webstuhl postrum (1997)
The Bird of the Air (2012) by Meckseper
The Lily of the Field (2012) by Meckseper