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Carven Goes to Bamako

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When Carven creative director Guillaume Henry first saw the work of Malian photographer Malick Sidibé’s late 60s, early 70s era street style snapshots of Bamako’s youth culture, he was struck by the ways in which the Malian youth effortlessly folded European influences into their own cultural codes of sartorial expression, exuding an infectious, organic elegance. Drawing on the house’s storied, near 70-year history of creating an adventurous third space between Parisian refinement and playful freedom, Carven’s collection updates the blend of brightly colored Malian textiles and European construction found on Sidibé's subjects for the modern age.

While Henry’s tailored separates, slightly oversized collars, and sharp hemlines refreshed sixties shapes and silhouettes with a youthful sophistication, the most notable elements of Carven’s cross-cultural collection can be found in its fabrics. Featuring both breezy, drapey linens and cotton woven with plastic, the collection marries sharp, mod structure with relaxed, casual elegance, ultimately ringing true to the attitude both Sidibé and Henry sought to celebrate.

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PRINTED CREPE DE CHINE JUMPSUIT in Black/White/Yellow
 
Short-Sleeve Poplin Shirt in White


Zig-Zag Tweed Fitted Blazer in Black/White

Zig-Zag Tweed Shorts in Black/White

Sleeveless Deep V-Neck Dress in Black

Printed Satiny Poplin Dress in Avocado

Crepe Sleeveless Top in Black

Tri-Color Hair Net Skirt in Black

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